Харків – Лондон: сім досягнень спільного міжнародного проєкту з аудіовізуального мистецтва

Автор(и)

  • О. В. Безручко Київський національний університет культури і мистецтв, м. Київ, Україна https://orcid.org/0000-0001-8360-9388

DOI:

https://doi.org/10.31516/2410-5333.067.25

Ключові слова:

Дослідження російського та радянського кіно, Культури України, спеціальний спільний випуск

Анотація

Рецензія на спеціальний спільний випуск журналів: Studies in Russian and Soviet Cinema: peer-reviewed journal. — 2024. — Vol. 18, Iss. 3: Spec. Iss. with Kul’tura Ukrainy. — 358 p. ; Культура України : зб. наук. пр. / М-во культури та стратегічних комунікацій України, Харків. держ. акад. культури ; за заг. ред. В. Шейка. — Харків : ХДАК, 2025. — Вип. 87 (спецвип.). — 98 с.

Біографія автора

О. В. Безручко, Київський національний університет культури і мистецтв, м. Київ

доктор мистецтвознавства, професор, професор кафедри режисури кіно і телебачення

Посилання

Bezruchko, O. (2025). Oleksandr Dovzhenko’s experiment in film pedagogy. Culture of Ukraine, 87, 42–57. https://doi.org/10.31516/2410-5325.087.04. [In Ukrainian].

Bollinger, V. (2025). Mykola Shpykovskyi and the Visual Style of Late VUFKU Films. Culture of Ukraine, 87, 32–41. https://doi.org/10.31516/2410-5325.087.03. [In Ukrainian].

Hicks, J. (2025). The place of Ukraine in Mark Donskoi’s The Rainbow. Culture of Ukraine, 87, 58–71. https://doi.org/10.31516/2410-5325.087.05. [In Ukrainian].

Hicks, J., & Machulin, L. (2025). Special joint issue of “Studies in Russian and Soviet Cinema” and “Culture of Ukraine” (Kul’tura Ukrainy). Culture of Ukraine, 87, 7–18. https://doi.org/10.31516/2410-5325.087.01. [In Ukrainian].

Horpenko, V. (2020). Review of the Textbook by O. V. Bezruchko, I. A. Havran, S. V. Zhelezniak, S. V. Kotliar, H. P. Chmil “Master’s Projects in the Specialty ‘Audiovisual Arts and Produc-tion’ at Kyiv National University of Culture and Arts,” Vols. 1–2. Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production, 3(2), 349–351. https://doi.org/10.31866/2617-2674.3.2.2020.217664. [In Ukrainian].

Maslenitsyna, L. (2025). Against observation: the panoramic legacy of Sergei Loznitsa. Culture of Ukraine, 87, 87–97. https://doi.org/10.31516/2410-5325.087.07. [In Ukrainian].

Machulin, L. I. (2023). Sources of Inspiration for the Art Historian Liudmyla Sokoliuk. Visnyk of Kharkiv State Academy of Culture, 64, 188–191. https://doi.org /10.31516/2410-5333.064.14. [In Ukrainian].

Menzelevskyi, S. (2025). The “Kino” magazine and the parable of Ukrainian film criticism of the 1920s. Culture of Ukraine, 87, 19–31. https://doi.org/10.31516/2410-5325.087.02. [In Ukrainian].

Myslavskyi, V. (2024). Analysis of the Sound Component of an Audiovisual Work: Contemporary Research. Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production, 7(1), 166–173. https://doi.org /10.31866/2617-2674.7.1.2024.302778. [In Ukrainian].

Myslavskyi, V., & Markhaichuk, N. (2022). Twentieth-century Film Melodrama and Trophy Films: Screen Discourse. Bulletin of Kyiv National University of Culture and Arts. Series in Audio-visual Art and Production, 5(1), 122–126. https://doi.org /10.31866/2617-2674.5.1.2022.257187. [In Ukrainian].

Pogrebnіak, H. (2022). Anti-directing of Film Transformation as a Lasting Obstacle to Screen Ad-aptation of Oleksandr Korniichuk’s Metadramaturgy. Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production, 5(2), 264–271. https://doi.org/10.31866/2617-2674.5.2.2022.269549. [In Ukrainian].

Cherkasova, N. (2025). “Mister Jones” and the depiction of the Holodomor on the world screen. Culture of Ukraine, 87, 72–86. https://doi.org/10.31516/2410-5325.087.06. [In Ukrainian].

Chmil, H. (2020). Olena Mykolaivna Moskalenko-Vysotska “Fundamentals of Producer Activity”: A Textbook. Visnyk Kyivskoho natsionalnoho universytetu kultury i mystetstv. Seriia: Audi-ovizualne mystetstvo i vyrobnytstvo, 3(1), 150–152. https://doi.org/10.31866/2617-2674.3.1.2020.202688. [In Ukrainian].

Sheiko, M. (2024). Western cinema: conceptual and terminological dictionary. Culture of Ukraine, 84, 97–98. https://doi.org/10.31516/2410-5325.084.10. [In Ukrainian].

Bezruchko, O. (2024). In-depth Study of Children’s Images in Works of Audiovisual Art in the Genre of Horror. Bulletin of Kyiv National University of Culture and Arts. Series in Audio-visual Art and Production, 7(1), 155–165. https://doi.org /10.31866/2617-2674.7.1.2024.302777. [In English].

Bezruchko, O. (2024). Oleksandr Dovzhenko’s experiment in film pedagogy. Studies in Russian and Soviet Cinema, 18(3), 291–308. https://doi.org/10.1080/17503132.2024.2393930. [In English].

Bollinger, V. (2024). Mykola Shpykovskyi and the visual style of late VUFKU films. Studies in Russian and Soviet Cinema, 18(3), 279–290. https://doi.org/10.1080/17503132.2024.2392331. [In English].

Cherkasova, N. (2024). Mister Jones and the depiction of the Holodomor on the world screen. Stud-ies in Russian and Soviet Cinema, 18(3), 327–344. https://doi.org /10.1080/17503132.2024.2393931. [In English].

Hicks, J. (2024). The place of Ukraine in Mark Donskoi’s The Rainbow. Studies in Russian and Soviet Cinema, 18(3), 309–326. https://doi.org/10.1080/17503132.2024.2392337. [In English].

Hicks, J., & Machulin, L. (2024). Special joint issue of Studies in Russian and Soviet Cinema and Culture of Ukraine (Kul’tura Ukrainy). Studies in Russian and Soviet Cinema, 18(3), 251–262. https://doi.org/10.1080/17503132.2024.2405346. [In English].

Maslenitsyna, L. (2024). Against observation: the panoramic legacy of Sergei Loznitsa. Studies in Russian and Soviet Cinema, 18(3), 345–358. https://doi.org/10.1080/17503132.2024.2392338. [In English].

Menzelevskyi, S. (2024). The Kino magazine and the parable of Ukrainian film criticism of the 1920s. Studies in Russian and Soviet Cinema, 18(3), 263–278. https://doi.org /10.1080/17503132.2024.2393929. [In English].

Myslavskyi, V. (2023). Religious and Legal Aspects in World Cinema. Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production, 6(1), 141–144. https://doi.org/10.31866/2617-2674.6.1.2023.279265. [In English].

Riabukha, N. (2022). Ukrainian Film Music: History and Modernity. Bulletin of Kyiv National Uni-versity of Culture and Arts. Series in Audiovisual Art and Production, 5(1), 127–130. https://doi.org/10.31866/2617-2674.5.1.2022.257188. [In English].

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Опубліковано

2025-06-17

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